![]() ![]() Since we are discussing a video streaming workflow, it probably goes without saying that knowing the bitrate you want your output streams to be versus how much upload bandwidth you have available from your ISP is critical to your overall success. ![]() What about source video playback? Do you need the ability to handle 4K? 3D titles? The more you want to do and the better you want to do it, the more sophisticated the machine has to be, and that takes knowledge about precisely what your computer hardware can do. If your workflow requirements are more professional-having four simultaneous instant replays available from recorded ISO files, three monitor outputs (one for a multi-viewer, one for the audio mixer, and one for the user interface plus program out) -that’s where correctly configuring a capable machine can get really difficult for some users. If you have basic workflow requirements, you can, in most cases, buy any reasonably equipped modern machine and you’ll probably be fine. While recommended system requirements are published to guide users wishing to “roll their own” workstation for the purpose, it helps to have some basic knowledge about the unique demands of real-time streaming. Running a powerful, real-time software application demands a certain amount of horsepower from the computer it is being run on. The advent of powerful streaming software applications has made it possible for anyone to create broadcast-quality productions. While live streaming production quality can vary considerably, shows with higher production value do a much better job of attracting and retaining viewers. We take a look under the hood and explore the four main hardware components that directly affect performance when building or configuring a streaming workstation. Professional Streaming Productions Require Computer Hardware That’s Up to the task. To learn more about Telestream desktop products, click here. If you want to renew your Insider or Premium Access membership, visit our Support pages. Here’s information on how to update or upgrade.Īnd remember: If you are a Wirecast Insider Access member (which is included for one year when you purchase a license), then you get this upgrade for FREE! ![]() And much much more!!!įor a full list of our features, improvements and bug fixes for Wirecast 14.2, head over to our Version History page. Audio in Web Page sourceĪdded the ability to adjust audio from a Web Page source as well as stream it out as part of your broadcast. You are also given the option to choose the “default” connection which will rely on the one chosen in the Blackmagic control panel. This option will be hidden when the device only supports one option. This helps ensure you have the right connection chosen, to reduce errors in your incoming sources. This new option lets you select the type of video/audio input connection (HDMI/SDI) used for incoming Blackmagic Designs sources. Click to “Enable” Auto-Captions in the Wirecast Output Settings for LinkedIn, and your viewers will see be able to see the captions in their player. Now you can easily make your LinkedIn Live broadcasts more accessible by adding auto-generated captions to any LinkedIn Live video. This lets you pan, zoom and tilt your Sony X-Series camera with the built-in PTZ controller in Wirecast. Sony X-Series PTZ ControlĪ new Sony X-Series VISCA/UDP protocol profile is now available in the PTZ controller. You’ll now see a tally indicator on the top right corner of shots that are currently being ISO recorded. So with this feature, you can take a snapshot of your camera angle and lock that as your shot icon, making it easier to see at a glance which shot has which preset assigned to it. Typically, if you have live thumbnail icons on, then all the shots will show the current live view of the PTZ camera, so it’s hard to know what shot corresponds to what preset camera angle. This is handy if you have a PTZ camera with several shots for preset camera angles.
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